CERTIFICATIONS

The Wwise -101 Certification covers all the essentials need to learn to get started with Wwise. The Wwise certification program was developed in collaboration with CRAS, the Conservatory of Recording Arts and Sciences.

https://www.audiokinetic.com/en/profile/content-provider/4913/

The Wwise-201 Certification covers all the essentials need to learn about Wwise for interactive music, like how to create a dynamic score, how to integrate music from a DAW into the game and implement custom created music within Wwise.

https://www.audiokinetic.com/en/profile/content-provider/4913/

Introduction to C# programming, covering its core concepts, syntax, and practical application in software development explaining the fundamentals of C#.

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https://www.freecodecamp.org/certification/FabioModica/foundational-c-sharp-with-microsoft

The course explains FMOD, an audio middleware that creates probability, looping sections, and parameter triggers, among many other useful tools to create living soundscapes and music interactions.

In this course, instructor Nate Mars (Producer, Music Technologist) shares practical approaches to creating user interface sounds for web and physical products—from creative brief to execution.

The course explains the fundamentals of sound waves, and amplitude, explores common compressor controls, and shows how to eliminate unwanted noise using gates and expanders. Also demonstrates best practices in compression and limiting in a variety of audio applications and covers sculpting the attack and decay of individual notes with transient shapers and applying frequency specific dynamics control with multiband compressors.

The course covers the use of parametric and graphic EQs — and filters such as the high/low pass filters and shelf filters—in a variety of musical settings. These principles can be applied to any digital audio workstation platform, including Logic and Pro Tools, as well as analog workflows.

The course covers adjusting individual parameters such as delay time, level, and feedback; working with long delays to create echoes, enhance groove, and add support; using delay modulation for chorus and doubling effects; and dialing-in spectral effects from delay, such as flanging.

The course covers the acoustic, mechanical, and digital means for creating reverb, and charts the parameters (room size, density, etc.) need to know to take advantage of the original recording space and enhance it in post.

An introduction to sampling, the history, equipment, techniques, and notable artists who have employed sampling. The course dives into sampling in Ableton Live 10, showing how to load and edit samples, loop, and set up key groups.

The course demonstrates all the major features of the software and prepares you to use them on real-world projects—multitrack recording, audio editing, effects processing, and mixing and mastering and dives into recording a brand-new project, demonstrating the record modes, input settings, and auto-punch features.